Holger Danske

Holger Danske

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    Entries in Movies (17)

    Tuesday
    Jun262012

    Brave Movie Review

    Directed by Mark Andrews, Brenda Thompson, and Steve Purcell
    Written by Mark Andrews, Steve Purcell, Brenda Thompson, and Irene Mecchi
    Starring Kelly Macdonald, Billy Connolly, and Emma Thompson

    Merida's hairBrave is about two things:  the relationship between Merida and Elinor, and the natural beauty of Scotland. Actually, three things; it is also about Merida's hair.

    I listened to a bit on NPR about how Pixar upgraded their Renderman software specifically to animate Merida's hair. I'm impressed. That is the best hair I have ever seen in computer animation. It makes the hair in the Incredibles look like the Barbie doll hair it is. Pixar hasn't done anything new with hair since Monsters, Inc.

    In a way, Merida's hair is Merida, wild, beautiful, and untamed. Much like the misty glens and eerie standing stones that form the backdrop for Brave. This movie is rooted in a furious love of a particular place, much like Cars. I want to go to Scotland. If this movie wasn't sponsored by the Scottish tourism board, they got the best deal ever. I also want to go to the Northern Arizona Highland Celtic festival, because the rough and tumble, boisterous fun of that kind of gathering is on display here.

    I liked Brave, and I think you should see it too.

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    Wednesday
    May022012

    I, Robot Movie Review

    I, Robot 
    Director Alex Proyas 
    Starring Will Smith, Bridget Moynahan, and Alan Tudyk 
    Writers Akiva Goldsberg and Jeff Vintar


    I find it a little hard to describe why I like I, Robot so much. I feel drawn to the movie again and again. In a certain fashion, this is typical of the work of Alex Proyas, the director of I, Robot. Alex Proyas is probably best known for directing The Crow, with Brandon Lee, the ill-fated son of Bruce Lee. The Crow is a cult classic, loved by goths the world over, and its cachet is only increased by the untimely death of Brandon Lee during filming of the movie. Proyas also directed Dark City, a lesser cult film, but a cult film nonetheless, and also one of my favorites. Proyas apparently has a knack for this kind of thing.

    I like I, Robot, even though in a certain sense I find its premise intrinsically implausible. That is because I am generally a fan of theLucas-Penrose argument for the impossibility of creating an artificial intelligence by means of a computer algorithm (meaning a Turing machine more generally). Refutations of this argument often verge on the comical, because they are often forced to end up insisting that humans cannot reason, either. Part of the problem here is that Lucas is a philosopher, and many (most?) scientists and mathematicians haven't got any clue what he means by "reasoning". Reasoning, as he means it, simply cannot be an entirely physical phenomenon, as argued by Aristotle in De Anima. I am on record in public (admittedly a small public) as predicting that A.I. in the strong sense is impossible for precisely this reason.

    Nonetheless, I have no issue with the kind of robots portrayed in I, Robot, because if machine intelligence is possible, it will be something like what you see in this movie. If you create a machine that can reason, then by necessity it will be able to choose good or evil of its own free will. You just might not like the result.

    One of the few parts of I, Robot that actually conforms to Asimov's collection of short stories is the Three Laws of Robotics. Asimov created the Three Laws to break the mold of Mary Shelley's Frankenstein on artificial life stories, but Proyas' version of I, Robot restores this fear to the plot.

    This fear is driven by the truth that logic, like justice, is cruel. None of us really look good in the harsh light of justice; no one can live up to their own principles. Logic is not much better; few of us can follow our principles to their logical conclusions. As Dr. Alfred Lanning says in response to question, "Is there a problem with the Three Laws?", "The Three Laws are perfect." There is only one logical conclusion, and robots, by definition, are logical. Even classical philosophies such as Stoicism would be unable to embrace that blunt conclusion.

    Asimov actually toyed with this idea himself, as the Zeroth Law of Robotics: A robot may not injure humanity, or, through inaction, allow humanity to come to harm. This is the same logical deduction made by VIKI, the malevolent mainframe. Thus, it is not surprising that we fear logic, because logic inexorably leads to our collective perdition. The deeper reason for this is that logic itself is incomplete, especially when expressed in natural language. Any mathematics complex enough to include arithmetic must include an unprovable statement, in the sense that it cannot be deduced from within the system itself. Steve Sailer once noted that contracts are written in something like COBOL. The intent of this is to reduce uncertainty about what the contract actually means. Legalese accomplishes this goal fairly well, but you cannot reduce the uncertainty to zero, because words do not possess absolute definitions, a point made by Fr. Stanley Jaki OSB. Any time spent with a lawyer will prove this assertion to your satisfaction.

    This unsuspected philosophical subtlety surprised and pleased me. Even more so because I, Robot seems like an action movie, and a fine one it is. Shooting killer robots, like shooting zombies, never really gets old.

    Tuesday
    Dec132011

    Kick-Ass Movie Review

    Directed by Matthew Vaughn
    Starring Nicholas Cage, Mark Strong, Aaron Johnson, Christopher Mintz-Plasse, and Chloë Grace Moretz

    Gun PornI had long wanted to watch Kick-Ass, and we finally watched it last month. It was a blast! In one sentence, this was a modern reimagining of the superhero genre with a little gun porn thrown in. 

    Much like Superbad, Kick-Ass is full of awkward humor. This is the modern style, and it is not my own, but I acknowledge that it is popular. I cringed almost every time Aaron Johnson opened his mouth. Nicholas Cage was little better. I know that this was the object, but still!

    As a superhero movie, this is excellent. Matthew Vaughn did X-Men: First Class as well, and I think he did an equally good job. This is a believable origins story for a group of heroes and villains, incorporating modern tastes and venerable traditions. If you know superhero origin stories, not much here will be surprising. But I have never been in favor of innovation for the sake of innovation. 

    There is just enough realism to Kick-Ass to make it feel fresh. A little assassin girl, no matter how well trained, cannot win a fist fight with a grown man who will strike back. I appreciated that. The thugs carry knives, and they will shank you. Money matters. Well done, and can we please have some more?

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    Wednesday
    May042011

    When the Last Sword is Drawn Movie Review

    壬生義士伝 Mibu Gishi Den
    Directed by Yojiro Takita 滝田 洋二郎
    Written by Jiro Asada and Takehiro Nakajima
    Starring Kiichi Nakai 中井 貴一 and Koichi Sato 佐藤 浩市

    I've always been a sucker for historical dramas. If you add in the Shinsengumi [新選組] and the Bakumatsu [幕末], I'm sold. This is inspired by the story of Yamanami Keisuke [山南 敬助], a member of the Shinsengumi who was from Nanbu (modern day Sendai area).  Saitoh Hajime [斎藤 一] is also featured, which is just gravy since Saitoh is my favorite Kenshin character.

    This movie is beautifully shot, and deeply tragic. Yamanami is conflicted by his dividied loyalties, to his clan, to the Shogun, to the Emperor, and to his family. The pace is slow, but the movie will reward your patience. Yamanami's fate is inevitable, because he has no place in the new Japan, but his earnest country bumpkin act will grow on you by the finale. Even Saitoh's cold heart melted a little.

    This movie came out at the same time as The Last Samurai with Tom Cruise. While it lacks the Hollywood size budget and cast, it is definitely worth a look. The Japanese were enduring a civil war at the same time we were, that was equally decisive for the future path of Japan as ours.

    The 1860s were a rough decade. The American Civil War, the Bakumatsu, the Taiping Rebellion, and the War of the Triple Alliance all going on simultaneously. The world really was ending. Maybe Yamanami got the better part of it.

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    Monday
    Apr122010

    How to Train Your Dragon Movie Review

    HOW TO TRAIN YOUR DRAGON

    Directed by Dean Deblois and Chris Sanders
    Written by Cressida Cowell, Dean Deblois, and Chris Sanders
    Starring Jay Baruchel, Gerard Butler, Craig Ferguson, America Ferrera


    How to Train Your DragonThis is far and away my favorite Dreamworks movie ever. Given how much I liked Kung Fu Panda, this is pretty high praise indeed. I'm down for pretty much anything involving Vikings, or Gerard Butler, so if you put the two together I am there!

    I really enjoyed the portrayal of the Vikings. It got something of the feel of Norse culture in a rambunctious, take-no-prisoners, yet cute kind of way. These vikings do indeed like to vike [it's a verb]. There is plenty to annoy the specialist, such as the adult vikings' Scottish accents, but the look and feel is generally pretty good.

    The isle of Berk is spectacularly beautiful. I did wonder what Berk would look like in the 9 months of winter, but it was green and lovely during the summer. I could feel the love of such a place that would prompt rude and uncultured Vikings to defend such a place [well that and a general love of mayhem].

    We did not see this in 3D. It was still visually stunning, and well worth seeing. I still see 3D as more of a gimmick than anything else. It was not necessary to enjoy the movie.

    Toothless the Night Fury very much reminds me of Stitch, and lo, Deblois and Sanders worked together as writers on Lilo&Stitch. This explains much. Not only its appearance, but also its expressions and mannerisms were like Stitch. But, it works.

    There should be few surprises in the plot, but I really don't see this as a bad thing. There are only so many basic plots, the question is really how well you pull off a specific performance. I liked the story, and I got into it. There was even a bit of a salutary moral lesson in that no dangerous activity can be undertaken without serious risk.
    Toothless as Stitch

    I would recommend this movie for anyone. I saw it with my family and friends, from ages 5 to 65, and everyone liked it. The only problem is now I have to stop fending off the Magistra's requests for a pet dog and instead I now have to fend off requests for a pet dragon.

    My other movie reviews


    Monday
    Mar082010

    300 Movie Review

    300

    Directed by Zack Snyder
    Written by Zack Snyder, Kurt Johnstad, and Michael Gordon
    Starring Gerard Butler, Lena Headey, Vincent Regan, David Wenham


    Yes, I know damn good and well this movie came out three years ago. I think I can do it better justice now.

    300 has taken a lot of abuse. I think war porn is my favorite epithet applied to the movie directed by Zack Snyder. There are many just criticisms that can be leveled against the movie, but I think that most critics miss the point. Hell, it is possible that even Frank Miller misses the point. Nonetheless, the Battle of Thermopylae has loomed large in the Western imagination for 2500 years, so a modern reimagination is not unexpected. The least fair complaint is the dialogue of the movie. Part of the consensus stated on Rotten Tomatoes, "full of...ready-made movie quotes," is at best ignorant. All of the seemingly worst lines from the movie are actually contained in the most ancient historical source. For example, the boast of the Spartan Dieneces that if the Persian army was capable of shooting so many arrows that the sun would darken, "...we shall have our fight in the shade," is from Herodotus.

    So what is the point? The point of the movie is to make a modern man feel what a Greek man would feel, a resident of Thebes or Athens, or even Sparta, in 480 BC. The function of fiction is to make arguments by means of appealing to the emotions, and thereby to affect the world when reason alone is insufficient to the task. The intended audience is the average modern man, so I think the comic book/comic book movie is pretty much the perfect demotic medium for this. I say man, and for once I actually mean men, because this story is really intended for men, because it is meant to instruct us in one of our proper tasks.

    The Battle of Thermopylae teaches us that a man fights mostly nobly for his wife and his children, and his comrades, and for the land that he loves. This story would have less resonance in the West [and Christian parts of the East such as Russia, where Leonid is still a popular name], were it not firmly in accord with Christian doctrine: Greater love hath no man than this, that a man lay down his life for his friends.

    The culture of the West is founded upon three great cities: Athens, Jerusalem, and Rome. Athens can be understood to include that that was meritorious in Greece, which must surely include the stand of the 300 at the Hot Gates. This is so even though all great cities were built upon a foundation of sand. Sparta was a cruel place, built by the sweat of slaves, unforgiving and ruthless. Rome and Jerusalem were no better, yet some places and some regimes really are worth defending, even though all merely human things fall short.

    The fundamental question a man [or woman in this context] must ask himself [or herself], is do I love pleasure, or wealth, or even life itself, more than the good of my brethren? If the time came that I were forced to choose, what choice would I make? 

    Go tell the Spartans, stranger passing by
    that here, obedient to their law, we lie.

     

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    Saturday
    Mar062010

    The Crazies Movie Review

    My friend Echo has a review of The Crazies which we saw together last weekend. Go check it out.

    Wednesday
    Mar032010

    Sunshine Cleaning Movie Review

    SUNSHINE CLEANING

    Directed by Christine Jeffs
    Written by Megan Holley
    Starring Amy Adams, Emily Blunt, Alan Arkin, and Steve Zahn


    We watched this on Instant Netflix, my first experience. The Magistra has used it before, but I had not yet. I was pretty impressed, the picture quality is good, there is no loading time, and it is really easy to use. Pretty much the best invention ever.

    This is a pretty standard indie movie, spunky white people with a hard-knock life. I liked it for all that, it was darkly humorous, and a little sweet. I could predict just about everything that happened, but that is not necessarily a bad thing. The movie was just true enough to life to be funny instead of sad. I really liked the expensive revelation Amy Adam's character had when she realized that you can't just throw away biohazards in the trash.

    I also enjoyed the plot point at the expense of public schools, even though the people who watch indie movies are probably part of the problem with public schools rather than the solution. I liked that it had a happy ending. It seems like a lot of indie movies just can't abide a happy ending. It was not a trite, syrupy ending, but a satisfying one. What I really want to know, is what do all those rich idle women's husbands do in Albuquerque?

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    Thursday
    Jan212010

    *batteries not included Movie Review

    *BATTERIES NOT INCLUDED

    Directed by Matthew Robbins
    Written by Mick Garris, Brad Bird, Matthew Robbins, Brent Maddock, and S. S. Wilson
    Starring Hume Cronyn, Jessica Tandy, Frank McRae, Elizabeth Pena, Michael Carmine, and Dennis Boutsikaris

    A WITH BOTH HANDS MINI-REVIEW


    I hadn't seen this movie in quite some time, so we queued it up on Netflix because the Magistra had never seen it. I remember watching it quite a bit when I was a kid. It was still good. The Magistra says, "It was cute. Pretty much everything is cuter when you make it smaller. Apparently that applies to space robots too." She also commented that she thought it would be a good movie to show our kids until the robot "sex" scene. "Mommy, what are the robots doing in the shack?" 

    I thought the beginning of the movie was very similar to Up. I don't know there is a connection, but Brad Bird does work for Pixar. This is a movie about the struggles of getting older and the sadness of urban decay and redevelopment. Even though it is a cute movie with a happy ending, it is still sad throughout. Sweetly sad I suppose. Still good.

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    Tuesday
    Jan192010

    Son of Rambow Movie Review

    Son of Rambow

    Written and Directed by Garth Jennings
    Starring Neil Dudgeon, Bill Milner, Jessica Hynes, and Will Poulter

    A With Both Hands Mini-Review


    Son of Rambow was a cute movie, but a little sad. I found it very evocative of the kind of fun a couple of boys can have, and also of how terrible kids can be to one another. I enjoyed the English Public School parody, and the ridiculousness of the whole enterprise. A fun movie, worth watching.

    I don't know a great deal about the Plymouth Brethren, so I cannot say whether their lives are truly as joyless as the movie protrays them. I do know that John Nelson Darby, one of the founders of the Brethren, did have one idea that managed to become popular. He is the founder of dispensational millennialism, and the idea of a rapture is his. This concept did not appear in Christian thought before the 1830s.

     

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